Hello random person! This blog is basically a multifandom mess (mainly Critical Role) and a great example of me being as productive as a piece of ham. YAY!
“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
Might I add:
The defeat of the wizard who made people choose how they’d be to be executed
The woman who raised the changeling alongside her biological child
The human who died of radiation poisoning after repairing the spaceship
The adventures of a space roomba
Cinderella finding Araura (and falling in love)
I don’t know a snappy description but the my nemesis cynthia story certainly lives in my head
hilariously, these are almost all in my fic tag. so, a compiled list from the notes (and some extras):
and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.
but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.
time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.
as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.
cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.
so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.
summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.
this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.
cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…
from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…
after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.
aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.
time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.
one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.
she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.
she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.
years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.
two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.
or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.
her partner laughs and hits her with the socks she is mending.
on the topic of humans being the intergalactic “hold my beer” species: imagine an alien stepping onto a human starship and seeing a space roomba™ with a knife duct taped onto it, just wandering around the ship
it doesn’t have any special intelligence. it’s just a normal space roomba. there are other space roombas on the ship and they don’t have knives. it’s just this one. knife space roomba has full clearance to every room in the ship. occasionally crew members will be talking and then suddenly swear and clutch their ankle. knife space roomba putters off, leaving them to their mild stab wounds.
“what is the point?” asks the alien as another crew member casually steps over the knife-wielding robot. “is it to test your speed and agility?”
“no it doesn’t really go that fast,” replies the captain.
“does it teach you to stay ever-vigilant?”
“I mean I guess so but that’s more of a side effect.”
“does it weed out the weak? does it protect you from invaders? do repeated stabbings let your species heal more quickly in the future?”
“it doesn’t stab very hard, it gets us more than it gets our enemies, and no, but that sounds cool — someone write that down.”
“but then what is its purpose?”
“I don’t know,” the captain says, leaning down to give the space roomba an affectionate pat. “it just seemed cool”
this is the dumbest idea I’ve ever heard but I thought about it for five seconds and realized that if I were, say, a random communications officer onboard this ship and someone taped a knife to a roomba it would take maybe three weeks before even I was inordinately fond of Stabby. I would be proud of Stabby when I met up with my other spacefleet friends for space coffee, I would tell them about the time Stabby got the second mate in the ankle five seconds before the fleet admiral beamed on board and she swore in seven different languages in front of high command.
also by the fourth day Stabby would be in the ship’s log, he’d have little painted-on insignia, people would salute him as he went by, and someone would hook up a twitter account to tweet maniacal laughter and/or a truly terrible knock-knock joke every time he managed to nick someone.
Omg so the ting I typed up might actually happen this is gold
How did it get clearance to every room? The gruff security commander is watching the footage from the ‘admiral incident.’ Some obscure camera angle finally catches Stabby in the act. “Someone get me the number of that space roomba™.”
“But sir, the crew, they… we… sorta have a soft spot for the little thing…”
“I know. I’m going to give it full access to the whole ship. Should be a riot when those Zendarians visit again.”
I meant to add this several thousand notes ago but better late than never, right?
Rithlen was not having a good galactic-standard week.
First, xe got stationed on a human starship as an ambassador for xyr race. Xyr supervisor had always had it out for xem, but this was a new sort of psychological torture. Everyone in the galaxy knew humans were a strange, illogical species. Now Rithlen had to put up with their strange customs, including the small robot with a weapon. The humans didn’t even seem phased by it. They just stepped over the robot. They actually seemed fond of the thing! They named it Stabby.
‘Humans are very strange,’ Rithlen often thought to xemself, ‘in the way they hold affection for a nonsentient piece of machinery designed to hurt them.’ The threat would be neutralized if they would just remove the tape holding the knife, but when xe mentioned the idea to some of the humans, they seemed horrified and offended by the idea.
Rithlen quickly learned to keep one of xyr feelers near the ground, scanning for the vibrations of the small machine.
Two identical infants lay in the cradle. “One you bore, the other is a Changeling. Choose wisely,” the Fae’s voice echoed from the shadows. “I’m taking both my children,” the mother said defiantly.
Once upon a time there was a peasant woman who was unhappy
because she had no children. She was happy in all other things – her husband
was kind and loving, and they owned their farm and had food and money enough. But
she longed for children.
She went to church and prayed for a child every Sunday, but
no child came. She went to every midwife and wise woman for miles around, and
followed all their advice, but no child came.
So at last, though she knew of the dangers, she drew her brown
woolen shawl over her head and on Midsummer’s Eve she went out to the forest,
to a certain clearing, and dropped a copper penny and a lock of her hair into
the old well there, and she wished for a child.
“You know,” a voice said behind her, a low and cunning voice,
a voice that had a coax and a wheedle and a sly laugh all mixed up in it
together, “that there will be a price to pay later.”
She did not turn to look at the creature. She knew better. “I
know it,” she said, still staring into the well. “And I also know that I may
set conditions.”
“That is true,” the creature said, after a moment, and there
was less laugh in its voice now. It wasn’t pleased that she knew that. “What
condition do you set? A boy child? A lucky one?”
“That the child will come to no harm,” she said, lifting her
head to stare into the woods. “Whether I succeed in paying your price, or
passing your test, or not, the child will not suffer. It will not die, or be
hurt, or cursed with ill luck or any other thing. No harm of any kind.”
“Ahhhhh.” The sound was long and low, between a sigh and a
hum. “Yes. That is a fair condition. Whatever price there is, whatever test
there is, it will be for you and you alone.” A long, slender hand extended into
her sight, almost human save for the skin, as pale a green as a new leaf. The
hand held a pear, ripe and sweet, though the pears were nowhere ripe yet. “Eat
this,” the voice said, and she trembled with the effort of keeping her eyes
straight ahead. “All of it, on your way home. Before you enter your own gate,
plant the core of it beside the gate, where the ground is soft and rich. You
will have what you ask for.”
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the
earth. The boundary of forest and of field. The first hint of frost
before the first snow falls. The skin of an apple as it yields beneath
your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to
rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes
rebuilt, gardens re-planted, wounds healed. The old man who once lived on the
hill and spoke to stone and rubble had long since been forgotten, but the
temple stood in his name. Most believed it to be empty, as the god who resided
there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache
in their hearts, as though mourning for a lost friend. The cold that seeped
from the temple entrance laid their spirits low, and warded off any potential
visitors, save for the rare and especially oblivious children who would leave tiny
clusters of pink and white flowers that they picked from the surrounding
meadow.
The god sat in his peaceful home, staring out at the distant
road, to pedestrians, workhorses, and carriages, raining leaves that swirled
around bustling feet. How long had it been? The world had progressed without
him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned,
if farms can flood, harvests can run barren, and homes can burn, he
thought.
He had come to understand that humans are senseless
creatures, who would pray to a god that cannot grant wishes or bless upon them
good fortune. Who would maintain a temple and bring offerings with nothing in
return. Who would share their company and meditate with such a fruitless deity.
Who would bury a stranger without the hope for profit. What bizarre, futile
kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless
creatures, humans were.
So he painted the sunset with yellow leaves, enticed the
worms to dance in their soil, flourished the boundary between forest and field
with blossoms and berries, christened the air with a biting cold before winter
came, ripened the apples with crisp, red freckles to break under sinking teeth,
and a dozen other nothings, in memory of the man who once praised the god’s
work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a
familiar voice.
The squinting corners of the god’s eyes wept down onto
curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year
mutism.
“I am the god of devotion, of small kindnesses, of
unbreakable bonds. I am the god of selfless, unconditional love, of everlasting
friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m
so happy for you—such a powerful figure will certainly need a grand temple. Will
you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for
visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and
chuckled.
“Farther still? What ambitious goals, you must have. There
is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if
you’ll have me.”
The other god was struck speechless. “…. Why would you want
to live here?”
“I am the god of unbreakable bonds and everlasting
friendships. And you are the god of Arepo.”
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